| PRACTICE RELIGIOUSLY OR PARISH, PART 4 |
G. Displacing the beat. Walfrid Kujala reveals this secret in “Shifting the Beat for a Cleaner Technique.” Return to the arpeggios from Peter and the Wolf. Displace the beat as follows
H. Changing articulations. We have already discussed practicing tongued passages slurred. The reverse also: practice slurred passages tongued. This can help you play more evenly. But why stop there? Substitute all sorts of articulations for the written ones. This enables you to see new shapes and relationships.
I. Memorizing. Your goal is to internalize the music, or as Sam Baron says, to become one with it. What better way than to memorize it, even if you don’t have to perform from memory? You become more confident and really feel like you know the music.
IX. Conclusion. Practicing may be as appetizing to you as going to the dentist, but some of us actually enjoy it (practicing, that is). Find a way to enjoy it. Be creative. Change your battle tactics. Repetition, yes, but not drudgery.
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